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tosquinha:

hwarang said: I just wanted to say I really like your art, it’s wonderful! and because of you I see a lot more of baby feanorians and happy feanorians on my dash and there’s nothing I love more than happy feanorians so: thank you so much for sharing your art with all of us!

Thank you very much~ I’ll soon tire you all bc I’ll flood your dashes with proud parents and their babies UvU

These are forms of male aggression that only women see. But even when men are afforded a front seat to harassment, they don’t always have the correct vantage point for recognizing the subtlety of its operation. Four years before the murders, I was sitting in a bar in Washington, D.C. with a male friend. Another young woman was alone at the bar when an older man scooted next to her. He was aggressive, wasted, and sitting too close, but she smiled curtly at his ramblings and laughed softly at his jokes as she patiently downed her drink. ‘Why is she humoring him?’ my friend asked me. ‘You would never do that.’ I was too embarrassed to say: ‘Because he looks scary’ and ‘I do it all the time.’

Women who have experienced this can recognize that placating these men is a rational choice, a form of self-defense to protect against setting off an aggressor. But to male bystanders, it often looks like a warm welcome, and that helps to shift blame in the public eye from the harasser and onto his target, who’s failed to respond with the type of masculine bravado that men more easily recognize.
Why it’s so hard for men to see misogyny   (via cumber—butt)

(Source: ethiopienne)

porndirector:

When I get hit on

zuky:

Let’s talk about the racist notion, deeply embedded in US culture, of Asians as perpetual foreigners. Specifically, maybe you heard about this massive facepalm from US Congress just last week.

At a congressional hearing of the House Foreign Affairs Committee on Thursday, July 24, 2014, Florida Republican Congressman Curt Clawson (above, left) addressed Nisha Biswal (right) and Arun Kumar, two US citizens and senior officials working for the US State Department and US Commerce Department, with these words:

“I’m familiar with your country. I love your country. Anything I can do to make the relationship with India better, I’m willing and enthusiastic about doing so. Just as your capital is welcome here to produce good-paying jobs in the U.S., I’d like our capital to be welcome there. I ask cooperation and commitment and priority from your government in so doing.”

Needless to say, Biswal and Kumar are Indian Americans who hold senior position within the US government, and were introduced as such at the hearing, but the Tea Party Congressman repeatedly spoke to them about India as “your country” and “your government”. An incredibly awkward silence was finally broken when Biswal said: “I think your question is to the Indian government.”

asylum-art:

Néle Azevedo :Ice Men Figuriines in Belfast, Ireland

brazilian artist néle azevedo ,presented as part of the belfast
festival at queen’s university in northern ireland.
the artwork is a collection of hundreds of carved ‘ice-men’, ‘Monumento Minimo’, perched readily side by side on the steps of custom house in the city of belfast, a carefully prepared intervention that slowly thawed under the heat of the day. the figures sit slouched, with legs dangling – an oddly charming set of characters
full of aloof charisma. the project was selected by the curator of the event as a tribute to titanic victims,  the ephemeral artwork a powerful expression of  the transitory nature of life, and death.

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